On this episode of Camera Three, actress Claire Bloom reads poetry. Excerpts include selections from T.S. Eliot, Lord Byron, A.E. Housman, Sir Philip Sydney, William Carlos Williams, Ezra Pound, and medieval carols.
Tag: USA
Strapped for time due to her busy schedule of personal appearances, Laurie Anderson creates a rather clumsy looking clone to take over and keep up her artistic production. Anderson plays both parts, pitting the chain-smoking, productive male half against the laid-back female half. In the end, one highly successful clone begets another clone, a situation spoofing the rise and fall of the ’80s art star.
Gustavo is a young Havana Communist who believes in the revolution; he hopes for a scholarship to study aeronautical engineering in Prague. But his faith in the new Cuba is tested: his father, a psychiatrist, can make four times as much playing piano at a hotel for foreigners; his sweetheart, Yolanda, wants a career as a dancer and longs for the riches of Miami; his younger brother Bobby simply wants to play rock music, and as a result is in constant trouble with the authorities. When Bobby takes a shocking step of revolt and Gustavo is refused service at a foreigners-only bar, the contradictions in his resolve to become a “new man” push him to the breaking point.
Promising young racing car driver Joe Joe Quillico leaves the stock car racing scene in the United States in order to pursue Grand Prix racing in Europe. After limited success he manages to win the Spanish Grand Prix. His love life however, is much less successful and his winning on the track only serves to alienate the woman he loves – with unhappy consequences.
The Andersonville Trial was a television adaptation of a 1959 hit Broadway play by Saul Levitt. The play was based on the actual 1865 trial of Henry Wirz, played by Richard Basehart, commander of the infamous Confederate Andersonville prison, where thousands of Union prisoners died of exposure, malnutrition, and disease.
This animated story of the thrilling adventures of a toy mouse and his child is based on the modern classic of children’s fiction written by Russell Hoban. From their home in the toy shop window, the mouse and his child find themselves cast into a rubbish tip where they become prisoners of the slimy rat, Manny (voiced by Peter Ustinov). Helped by their friends, a fortune-telling rat, an actress parrot, a performing seal and a pink elephant, the mouse and his child plot to escape Manny’s evil clutches and discover how they can become self-winding.
Living in their own fictional world devoid of humankind, large anthropomorphic robots, constructed by Survival Research Laboratories (S.R.L.), act out scenarios of perpetual torment, exasperated consumption and tragic recognition.
In Pieter Bruegel’s painting, “Landscape with the Fall of Icarus,” the fall of the god, Icarus, passes unnoticed on earth. The farmers continue to work the land and the boats sail on. As William Carlos Williams later wrote in his poem of the same name, “a once mighty god becomes a little splash quite unnoticed.” In Chris Sullivan’s version, Icarus becomes Ray, an aging priest whose congregation is dwindling as fast as his sanity. As Ray’s condition deteriorates, society fails to notice or care.