Alegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.
Tag: HUNGARY
When young Tako’s father dies in Hungary in 1945, Tako is left with scant memories of him. Nurtured by his mother, the boy nonetheless fantasizes about the man his father was, imagining him to have been a hero. Grown into a man himself, Tako falls for a Jewish refugee, Anni. Burdened by her own heritage as a Jew, Anni sparks in Tako a desire to find out what his father was really like, and he delves into the role his father played in World War II.
Metaphor about art, about time, or about how art consumes the artist’s life in his eagerness to create his work, in which he has to pour talent, vigor, and the best years of his life.
The film is an artistically spare depiction of the Greek myth of Sysiphus, sentenced to eternally roll a stone up a mountain. The story is presented in a single, unbroken shot, consisting of a dynamic line drawing of Sysiphus, the stone, and the mountainside.
After a session of hypnosis reveals suppressed trauma, a young woman confronts memories of her past.
Five boys and a girl make up a gang and are fans of Beat bands, following them from concert to concert. Juli, fiancée of one of the boys, falls in love with a musician and travels to the countryside with him for a gig. The jealous fiancé and his friends go after them and the whole affair comes close to violence when suddenly the lover allows Juli to make her own choice. This noble gesture rekindles Juli’s true love for him.
——UPGRADED——
Job and his wife, Róza, have been blessed with old age, but not with children. All the children of the Hungarian couple died in adolescence, leaving them without descendents to pass their Jewish heritage on to. Fearful of the oncoming Nazis, they take in a Christian boy, Lackó, who quickly grows to love the patient Job and loving Róza. The bond between father and son is tested when German troops march into their tranquil town.
——UPGRADED——
Zoltán Huszárik paints a lyrical portrait of the Hungarian-born sculptor Amerigo Tot, who achieved world fame in Italy. The associative short film focuses on the inspirations of creation, the relationship between man and his creative work, which are fed by the experiences of everyday life and the materiality of objects. The series of milestone works in his career are counterpointed by the episode when the artist returned to Hungary. Here, too, Huszárik worked together with János Tóth, who as cinematographer and editor contributed to the unique ambience of this portrait film, the audio-collage accompanying the images is the work of Péter Eötvös.