Tomasz, a doctor, and atheist, is diagnosed with cancer. His ex-wife offers him the money for treatment in Paris, but his lung cancer is past the operating stage. Facing imminent death, he questions the beliefs he has held all his life and starts experimenting with both his own life and those of others.
Tag: FRANCE
In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.
Il Ladro di Bambini begins in Milan, where Sicilian siblings Rosetta, 11, and Luciano, 9, live with their destitute mother. The woman regularly prostitutes Rosetta and is arrested; her children are immediately made wards of the court. Carabiniere Antonio Criaco is assigned to escort them to a foster home in a mission that appears to be simple. Yet, years of abuse forbid the siblings to trust, obey, or even like Antonio. Rosetta is hostile and demanding; Luciano is sullen and remote. When the Catholic foster home will not accept the children on the grounds of Rosetta’s past, Antonio independently decides to bring them south to a home in Sicily.
Helene, a young girl yearning for maternal love after her mother’s demise, falls for Tamara, her father’s manipulative bisexual girlfriend who seduces her into a lesbian affair while plotting to marry her wealthy father.
French Beauty is a 70-minute documentary exploring the idea of femininity in French cinema. Through interviews with iconic actresses such as Brigitte Bardot, Juliette Binoche, Catherine Deneuve and others, interwoven with film clips, fashion imagery, and archival footage, the film investigates how beauty is constructed, perceived, and performed. It considers what it means to be a “French beauty” — the tension between private identity and public image, the implications of being nude on screen, loss of privacy, and how the star system and couture contribute to, and exploit, these ideals.
A film of Eric Serra’s audio recording session of Doudou N’Diaye Rose and his drumming ensemble outdoors on the island of Gorée, off the coast of Dakar, Senegal. The film concentrates on two performances — one shot in daytime, and one at night. Two performances are filmed, punctuated by images of the island.
Luc Moullet contemplates the twilight of his career—and his own mortality—in this comic pseudo-documentary, a characteristically charming, satirical, and yet intellectually serious inquiry into the struggle against “the end.” The film follows Moullet, playing a magnetic self-caricature, as he endeavors to rejuvenate his career and win over a whole new audience… by faking his own death, swapping his passport with that of a dead body he stumbles upon. An extremely free remake of Cecil B. DeMille’s The Whispering Chorus .
Nuit noire, Calcutta, a film commissioned by the pharmaceutical industry and hijacked by Marin Karmitz, unfolds as an intense, nocturnal meandering, with a screenplay by Marguerite Duras. Marin Karmitz rapidly abandons the informative intent of the project, adopting a much freer narrative. Although the film’s purpose is to promote a drug claiming to cure alcoholism, it transforms into a black-and-white mirage, starring Maurice Garrel as a drunken writer, a vice-consul in Calcutta, who is rendered creatively impotent.