A cross between video art and television documentary, this is a portrait of British choreographer, dancer, actor and mime artist Lindsay Kemp. The spectator gets to know him through an heroic myth, where the actor searches for his identity in the show business world, and must face stouthearted true lies for a biographical portrait between fiction and reality.
Tag: 1990s
Maren, a young girl, is the sole survivor of the Black Death in her Norwegian village. Using instincts, folklore, luck, and the clairvoyant powers granted her by being born with a “Victory Cap,” Maren survives on her own, waiting for other people to discover her plight. Painstaking recreations of medieval customs and settings dominate the film.
Beshkempir takes its title from the name of the boy whose story it tells. His life is sunny and carefree, spent in childhood games, until the day he hears terrible news from his playmates: he is not his parents’ biological child. Overnight, his best friend becomes his rival and the young girl of his dreams starts going bicycling with somebody else. His pleasant and peaceful existence is over: if his parents are not his own, Beshkempir feels he has lost his whole identity. He tries to gradually overcome the problems that arise from this new situation. Aktan Abdykalykov’s first feature was also the first independent film to be produced and directed in Kyrgyzstan.
Independent filmmaker Nina Hedenius Det speglar i mitt öga [My Eye Is Reflecting] is a poetic film on the act of seeing and on the details that rarely gets our attention. The film is a collage of diverse scenes depicting life, death, objects and people; a Swedish crayfish party, a classroom, cows in the meadow, the Stockholm subway…
Parajanov: A Requiem charts the evolution of the controversial director’s artistry, which culminated in the creation of his brilliant, hallucinatory film fantasies of poetry and folk legends. Rare, extensive interviews with the outspoken director, along with film clips, drawings, photographs, and fragments of uncompleted films coalesce to make this a revealing account of an unforgettable artist.
Døden på Oslo S follows two teenage friends, Pelle and Proffen, in late-1980s Oslo as they navigate the city’s gritty underbelly. When Pelle falls for the troubled young Lena, who struggles with drug addiction, they both try to help her escape her destructive life. Their search exposes them to violence, addiction, and the harsh realities of life around Oslo Central Station.
For 30 years, Jane Elliot has committed herself to fighting against racism, prejudice and ignorance through an exercise separating blue-eyed persons from brown-eyed persons. This film witnesses one such experiment with a group of business people who find themselves experiencing discrimination and condemnation due to their eye color. Director Bertram Verhaag captures the emotional power of the experiment and forces the spectators to challenge themselves like the participants.