The life of a first grader is difficult: he has to attend school, do homework and flee from his uncle who always wants to wrestle with him. It’s a good thing his imagination is always ready to help out and he can always count on his little girlfriend, Zizi. The playfulness of French New Wave had a major influence on the first full-length feature film of the two young directors Ferenc Kardos and János Rózsa. The film is full of classical burlesque gags and borrows freely from the effects toolbox so as to make all the more palpable the imagination of a child wondering at the world around him.
Tag: 1960s
A cine-poem. Presents the sights, sounds, beauty, and rhythm of rain as it comes to living things on a farm and to people in the city. Explains that rain is a source of the water which we use, and that it affects plants and other living things as well as people working in the community.
The House is Black is an empathetic portrait of a leper colony from Iranian poet Forough Farrokhzad. Her work, both in film and poetry, has influenced everyone from Iranian New Wave master Abbas Kiarostami to French essay film pioneer Chris Marker. With The House is Black, Farrokhzad unflinchingly captures the world of a leper colony in Tabriz, Iran. She recites her own poetry over images of everyday life for a people shut away from society. Farrokhzad’s portrait highlights a world weighed down by tragedy yet uplifted by community. The result is a heartbreaking film that eschews condescension in favor of hard-won empathy.
This experimental short by Bruce Conner uses Ray Charles’ “What’d I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
A series of strange abstract images are projected in a movie theater. An old man from Russia in the audience watches this and can make neither head nor tail of them. He heckles the picture, wondering out loud, “Vhat da hell is dis?” while irritating the other patrons around him. He comments outrageously the entire time, saying, “It must be some symbolism! I think it’s symbolic of… junk.”
MEET MARLON BRANDO is a delightful, unusually candid portrait of the world-famous movie star: A tongue-in-cheek confrontation with the press. While television journalists interview him about his most recent film, Brando counters their futile questions with wit and insight, a man unwilling to sell himself. “It’s a wonderful show,” one woman comments about the new project. “Did you see it?” he asks. “No, I haven’t seen it yet.” “Then how do you know?” Always smiling and never modest, Marlon Brando shines in one of his most revealing performances.
This student film takes a look at the small town of Camden during the 1960s. Much of the town is focused on the locomotive and logging industry created by the W. T. Carter and Brother Lumber Company in 1898. The film revolves around interviews with Camden residents. Former logging employees, a hotel owner, a family, and a pastor all briefly describe their lives and rolls in the old town. By the end of the film, the narrator recounts possible modernization and decreasing poverty in the future with the sale of W. T. Carter and Brother Lumber Company to the United States Plywood Corporation.
A young unmarried couple leave the politically turbulent Berkeley behind for a life in the country. Finding a place in sheep country, the couple awaits the birth of their first child as they revel in bucolic splendor. The tensions of city life are left behind as things progress towards the anticipated due date. The couple wishes to have a natural childbirth and are comforted that the expectant father is a pre-med student with some knowledge of the upcoming situation. Things go along smoothly until the expectant mother’s father returns after years of being a sailor.