Tag: 1960s

June 26, 2023 / Short

Three sequences are linked together in this short film by Jean-Marie Straub; the first sequence is a long tracking shot from a car of prostitutes plying their trade on the night-time streets of Germany; the second is a staged play, cut down to 10 minutes by Straub and photographed in a single take; the final sequence covers the marriage of James and Lilith, and Lilith’s subsequent execution of her pimp, played by Rainer Werner Fassbinder.

June 8, 2023 / Arthouse
June 8, 2023 / Animation

Sándor Reisenbüchler’s animated film of the Ferenc Juhász poem is a magical mythological tale featuring numerous folklore symbols, in which due to the horrors of war and the evil of man the Sun and the Moon vanished from the sky. This visionary film singing of the universal struggle between fairy tale Good and Evil was considered by the director a sort of ars poetica. The film was shortlisted for an Academy Award for Best Animated Short Film in 1969.

June 8, 2023 / Experimental

A helter skelter of late 60’s counter-culture psychedelia played in two separate screens, images of student riots, drag queens getting ready for a night in town, fires, juxtaposed against swinging hippies, Japanese women casually arranging their wardrobe, people commuting to work, and various cartoon strips, all this played over a collage of news report snippets telling about the Communist threat, radio recordings, Rolling Stones, Japanese pop tunes, and Hitler speeches, while flickering images of fires and disfigured babies flash over the screen now and again. It’s all pretty anarchic and adds up to no concrete narrative but it all makes sense in a purely audiovisual way.

May 17, 2023 / Arthouse
May 17, 2023 / Television
May 16, 2023 / Experimental
May 16, 2023 / Experimental

Bruce Conner deconstructs the repetitive imagery and messages from media coverage of the Kennedy assassination, fabricating an image track out of the fragments of the paltry documentary footage. The film is divided into two unequal parts, a longer, first section that Conner has called ‘the death of Kennedy’ and an ‘epilogue’ that imaginatively unpacks the Kennedy myth. It is also an astounding exposé of the media’s modes of creating meaning, of constructing messages, and ultimately of controlling information.